Farhan Akhtar’s 120 Bahadur Struggles at Box Office: Sixth Film Below ₹3 Crore Opening
Farhan Akhtar’s 120 Bahadur: Another Weak Start
The Farhan Akhtar 120 Bahadur box office story has begun on a disappointing note. The film opened with a modest ₹2.35 crore on Day 1, making it Farhan’s sixth film to miss the ₹3 crore mark. Despite its patriotic theme and action-driven narrative, the film failed to generate strong buzz before release.
This opening figure is lower than his 2019 drama The Sky Is Pink, which had collected ₹2.50 crore. For an actor with Farhan’s credibility, this pattern of underwhelming starts raises questions about his box office pull outside ensemble projects.
Farhan Akhtar’s Opening Day History
A look at Farhan’s box office record shows a clear divide between ensemble-driven hits and solo projects.
- Rock On!! – ₹1.66 crore
- Luck By Chance – ₹1.72 crore
- Rock On!! 2 – ₹2.02 crore
- Lucknow Central – ₹2.04 crore
- Karthik Calling Karthik – ₹2.20 crore
- The Sky Is Pink – ₹2.50 crore
- 120 Bahadur – ₹2.35 crore
Each of these films struggled to cross the ₹3 crore barrier. In contrast, his ensemble or high-profile films opened much stronger:
- Dil Dhadakne Do – ₹10.53 crore
- Bhaag Milkha Bhaag – ₹8.65 crore
- Zindagi Na Milegi Dobara – ₹8 crore
The difference is striking. When Farhan is part of a star-studded cast or a universally appealing story, the numbers soar. When he leads niche or experimental projects, the openings remain modest.
Why 120 Bahadur Missed the Mark
Trade analysts point to several factors behind the weak start:
- Limited Promotions: The film lacked aggressive marketing compared to other big releases.
- Mixed Reviews: Early reactions ranged from lukewarm to negative, dampening audience interest.
- Patriotic Theme: While patriotic films often do well, 120 Bahadur failed to connect emotionally with mass audiences.
- Competition: Other releases and OTT buzz diverted attention.
Despite Farhan’s physical transformation and action-oriented role, the film couldn’t build momentum before release.
Star-Studded Screening: Rekha, Waheeda Rehman, Asha Parekh
Interestingly, the film’s premiere was a glamorous affair. Legendary actresses Rekha, Waheeda Rehman, and Asha Parekh graced the screening, adding star power to the event. While this created headlines, it didn’t translate into box office traction.
Audience Pull: Farhan’s Box Office Pattern
Farhan Akhtar’s career reflects a unique trend:
- Strong in Ensembles: Films with multiple stars and universal appeal perform well.
- Weak Solo Openings: His solo-driven projects often struggle to cross ₹3 crore on Day 1.
- Credibility Factor: Despite modest openings, Farhan remains respected for his versatility as actor, director, and singer.
This duality makes him one of Bollywood’s most unpredictable box office performers.
Can Word-of-Mouth Save 120 Bahadur?
The big question now is whether 120 Bahadur can grow over the weekend. Bollywood has seen films recover from weak openings through strong word-of-mouth. Examples include Queen and Badhaai Ho.
If audiences connect with the patriotic theme, collections could improve. However, given the mixed reviews, trade experts remain cautious.
Evergreen Queries Answered
- What is 120 Bahadur Day 1 collection? → ₹2.35 crore
- How many Farhan Akhtar films opened below ₹3 crore? → Six films
- Which Farhan Akhtar films had strong openings? → Dil Dhadakne Do, Bhaag Milkha Bhaag, Zindagi Na Milegi Dobara
Conclusion
The Farhan Akhtar 120 Bahadur box office journey has started on a weak note, continuing his pattern of modest solo openings. While the film had potential with its patriotic theme, lack of buzz and mixed reviews hurt its debut.
Whether 120 Bahadur can recover over the weekend remains uncertain. For now, it joins the list of Farhan’s films that failed to cross the ₹3 crore mark on Day 1.
Read also || Bengaluru cab driver sandwich gesture melts India’s heart
External Links
- Farhan Akhtar – Wikipedia
- Bollywood Box Office – Wikipedia
- Bhaag Milkha Bhaag – Wikipedia
- Dil Dhadakne Do – Wikipedia
- Zindagi Na Milegi Dobara – Wikipedia
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